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Saturday 11th November 2006 7:30pm Royal Concert Hall ORCHESTRA DA CAMERA
BRITTEN War Requiem
Soprano - Maureen Brathwaite
Tenor - Richard Edgar-Wilson
Baritone - Peter Savidge
Conductor - Neil Page
SCHOLA CANTOREM
Conductor - John Keys |
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Saturday 25th November 2006 7:00pm Royal Concert Hall HANDEL Messiah Nicki Kennedy Soprano David Bates Counter tenor Daniel Auchincloss Tenor Nicholas Folwell Bass ORCHESTRA DA CAMERA
Organ continuo - John Keys
Conductor - Neil Page
NOTTINGHAM HARMONIC SOCIETY This concert comes at the start of Advent, when we are all finally becoming aware that it really isn’t long until Christmas, even though the shops have been anticipating it for months. Come and have an evening to escape from the bustle and let Handel’s glorious music wash over you and renew you. Handel’s inspired Messiah, written in only 21 days, also looks forward to Christmas, telling the story of Jesus’ birth, life, death and resurrection, through prophetic, narrative and explanatory extracts from the Bible. Although Messiah is the work by which most people in the world know Handel, it is almost a misfit in his output. He was not generally a religious composer and was not employed as a church musician, but rather wrote operas and music for royal occasions. His oratorios appear to be simply operas with religious themes, which at the time in England, were not allowed to be staged nor acted. They could only be performed in a church, not in a theatre. Handel’s operatic techniques are apparent in Messiah. The choir plays parts ranging from a vituperative mob hurling insults round the Cross to a choir of Angels singing of Jesus’ birth and praising Him in Heaven. Many of the soloists’ arias are familiar and well-loved, but they make even more impact in the context of the whole work. If you have never heard the whole of Messiah before, or have only heard versions which are heavily cut and there is no sense of continuity, come and be prepared for a totally different, thrilling, emotional experience! |
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Wednesday 20th December 2006 7:00pm Saturday 23rd December 2006 7:00pm Royal Concert Hall FAMILY CAROL CONCERTS
NOTTINGHAM HARMONIC SOCIETY
THORESBY COLLIERY BAND
Organ - John Keys These ever-popular family concerts come in the often frenetically busy, but expectant in-between time after the end of school term just before Christmas. It is a good time to make space to relax and enjoy enthralling Christmas music in a warm, friendly atmosphere. The Thoresby Colliery Band is one of the most exciting brass bands in Europe, and regularly wins countless accolades for its inspirational playing. Even if you think you don’t like brass bands, this one will convert you. Over the years they have played pieces ranging from Frosty the Snowman to Rossini’s William Tell Overture , Tchaikovsky’s 1812 Overture and Wagner’s Procession to the Minster. If you get seats close enough to watch their perc ussion section, it is an amazing sight and sound. When not joining forces with the band, or leading the audience in some of the familiar Christmas Carols, the choir provides some quieter interludes with some beautiful, though perhaps less familiar, carol settings. There is always an opportunity for all the children to come down to the stage to sing carols. Some of them, if they are the first to answer a question, or sing really well, will get the chance to conduct the band or choir. You are guaranteed to go home from this concert with a warm glow inside and a feeling of the fun of Christmas |
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Saturday 24th March 2007 7:30pm Royal Concert Hall
VIVALDI
Gloria
Conductor - Neil Page
NOTTINGHAM HARMONIC SOCIETY
Vivaldi’s Gloria bursts forth with praise and vocal fireworks. Beethoven’s enduring appeal is his mastery of orchestral forces. For him the choral parts become icing on the cake – yet more musical textures with which to experiment. The Mass in C is an enduring favourite, with the choir and soloists interweaving in all movements. The Choral Fantasia may be less familiar. It is effectively a single-movement piano concerto with a choral finale highly reminiscent of the Choral Symphony. It opens in the style of a climactic, dramatic Piano Sonata, but after a few minutes the orchestra enters giving more of a Concerto feel to the piece. At its climax Beethoven adds a choral part to finish off the whole work with style. |
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Saturday 12th May 2007 7:30pm Southwell Minster
ELGAR
Give unto the Lord
NOTTINGHAM HARMONIC SOCIETY
A warm summer’s evening in the picturesque Southwell Minster will be a tranquil setting for some of the last century’s more etherial music. Come and enjoy exploring more of the wide repertoire of rarely heard, but wonderful music. We are delighted that once again our conductor for all concerts this season is our own inimitable Director of Music, Neil Page |
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